ALERT: The Gantt Center will be closed Thursday, November 22nd in observance of Thanksgiving. We apologize for any inconvenience and invite you to join us when we reopen to the public on Friday, November 23rd at 10:00 am.

ABOUT THIS PROGRAM

Enjoy this once-in-a-lifetime opportunity to go behind the scenes of Dance Theatre of Harlem with Dr. Mel A. Tomlinson! Tomlinson will lead an exclusive tour of this majestic exhibition filled with dazzling costumes, set pieces and video excerpts. Deemed “dynamic and electric” by the New York Times, Tomlinson danced with the New York City Ballet, the Alvin Ailey American Dance Theater and Dance Theatre of Harlem and now lives in Charlotte.

A cultural collaboration presented to the community by:

About The Artist

Born one of six siblings in Raleigh in 1954, Mel Tomlinson became interested in dance after studying high school gymnastics. When he was 17, he began formal dance study at the North Carolina School of the Arts and received his BFA in only two years, while touring as a principal dancer in Agnes De Mille's Heritage Dance Theatre. He then switched from a modern dance concentration to ballet.

In 1974, he moved to New York to join the Dance Theatre of Harlem where his powerful build, crystalline articulation of line, and supple flexibility propelled him to soloist, most notably as the snake in Arthur Mitchell's "Manifestations" (1975). In 1976, he took a leave of absence to perform with the Alvin Ailey American Dance Theater, where he danced the male role in Ailey's "Pas de Duke" with Judith Jamison and premiered the revival of Lar Lubovitch's "The Time Before the Time After" ("After the Time Before") with Sara Yarborough.

Discouraged by the heavy touring responsibilities of the Ailey Company, Tomlinson returned to the DTH in 1978 to perform principal roles in "Swan Lake" and "Scheherazade.” In 1981, he joined the New York City Ballet as its only African-American member. He was quickly promoted to soloist performing in George Balanchine's "Agon." Tomlinson left that company in 1987 to join the faculty at the North Carolina School of Arts and in 1991 joined the Boston Ballet as a dancer and master teacher in the CITYDANCE program which brought classical dance to public school children in the Boston area.

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